43. International Choir Contest Tolosa, Spain. Certamen Coral de Tolosa. This is a service of Choral Festival Network (CFN) www.choralfestivalnetwork.org Vocal Groups Sacred Music grupos Vocales Musica religiosa, October 31 2011

The Vocal Art Ensemble of Davis, California performs Dan Forrest's "Selah (Pause") from his Words From Paradise. This was from the second performance by this a capella chorus on the performance tour of Ireland, September 2-11, 2010.

During the summer of 2009 I had the opportunity to write a piece for the Orlando Consort (a leading male Vocal quartet) as part of Lake District Summer Music's 4x4 composer residency. During the residency I worked with the group to write a piece called Pr...

The Salt Lake Vocal Artists perform "John the Revelator" arranged by Paul Caldwell and Sean Ivory in the Auditorio Juan Victoria, San Juan, Argentina, under the direction of Dr. Brady Allred, live in concert on August 1, 2011. Piano: Laurel Enke Arg...  moreThe Salt Lake Vocal Artists perform "John the Revelator" arranged by Paul Caldwell and Sean Ivory in the Auditorio Juan Victoria, San Juan, Argentina, under the direction of Dr. Brady Allred, live in concert on August 1, 2011. Piano: Laurel Enke Argentina Tour: July 28-August 13, 2011  

DO NOT PASS BY LIKE A DREAM by Eduardo Andrés Malachevsky Performed by the GVD – GRUPO Vocal DE DIFUSIÓN on October 30th 2016 in Buenos Aires, ARGENTINA and conducted by Mariano MORUJA This score was commissioned by Eric Banks & The Esoterics (www.th...  moreDO NOT PASS BY LIKE A DREAM by Eduardo Andrés Malachevsky Performed by the GVD – GRUPO Vocal DE DIFUSIÓN on October 30th 2016 in Buenos Aires, ARGENTINA and conducted by Mariano MORUJA This score was commissioned by Eric Banks & The Esoterics (www.theesoterics.org) in 2009 as a result of being Malachevsky the winner of the POLYPHONOS 2009 INTERNATIONAL COMPOSER PRIZE DO NOT PASS BY LIKE A DREAM is the first choral piece of a Cycle of 5 entitled HE COMES with lyrics by Rabindrantah Tagore: 1. DO NOT PASS BY LIKE A DREAM: https://youtu.be/9yEg3xn0NSw score commissioned by Eric Banks & The Esoterics 2. EVER COMES: https://youtu.be/0EGRlPvDaw0 score commissioned by The Society for Universal Sacred Music 3. EVER COMING: Video 1 https://youtu.be/gGw07tATUY8 Video 2 https://youtu.be/4bYL-fljME8 score commissioned by The Society for Universal Sacred Music 4. RETURN TO HIM: https://youtu.be/Sf_BNqTCQds score commissioned by The Society for Universal Sacred Music 5. IN MEMORIAM: https://youtu.be/znB...    less

OMNES Ensamble Vocal Masculino Grupo mexicano fundado en 1995 cuyo repertorio abarca desde el canto bizantino, canto gregoriano, polifonía, lieder, espirituales negros, música mexicana, boleros, música infantil, comedia Musical y música contemporánea, ...  moreOMNES Ensamble Vocal Masculino Grupo mexicano fundado en 1995 cuyo repertorio abarca desde el canto bizantino, canto gregoriano, polifonía, lieder, espirituales negros, música mexicana, boleros, música infantil, comedia Musical y música contemporánea, entre otros. Sus últimas presentaciones fueron hechas en 2009. Imágenes recientes del grupo (2009). Grabación que aparece en el disco "Cantos de Navidad 3", realizada en 2009. Producida por Obra Nacional de la Buena Prensa A.C. (www.buenaprensa.com) Integrantes: Ramón Yamil León, tenor I. Jorge García-Fajardo, tenor II. Armando Becerra, barítono. Alejandro López Hernández, bajo. Director: Mtro. Jorge García Fajardo. Correo: giorgiopipo@hotmail.com  less

The US Glee Club performs Some Nights by Fun. and Shake It Out by Florence and the Machine.

Now in its 24th season, CapriCCio continues to captivate audiences with outstanding performances of choral Music ranging from the 15th century to the present, from Tallis and Gabrieli to Pärt, Whitacre and even younger contemporaries, from simple folk son...  moreNow in its 24th season, CapriCCio continues to captivate audiences with outstanding performances of choral Music ranging from the 15th century to the present, from Tallis and Gabrieli to Pärt, Whitacre and even younger contemporaries, from simple folk songs to Bach’s B Minor Mass and Handel’s Messiah, all performed in Capriccio’s signature style: virtuosic clarity with a sensitive, compelling spirit.  

Vocal group Jazzva from Slovenia was formed six years ago. The members, who sing in some of the best Choirs in the country, decided they want more Musical freedom and creativity, wilder beats and louder sound of their own voices. Jazzva's repertoire c...  moreVocal group Jazzva from Slovenia was formed six years ago. The members, who sing in some of the best Choirs in the country, decided they want more Musical freedom and creativity, wilder beats and louder sound of their own voices. Jazzva's repertoire consists of many different genres, pop, rock, classical Music, jazz, arrangements of folk songs and many more. As experienced Choir singers, they are used to singing with as well as without electronic amplification. They also try to incorporate some choreography to their own Music, thus making it even more interesting and fun. At the moment, Jazzva is officially the best a-cappella group in Slovenia. In 2010, 2011 and 2012 Jazzva won at Sredi zvezd, the Slovenian national pop-jazz a-cappella competition three consecutive times. They also got a prize for the best Vocal arrangement of the competition all three times (the last two years the arrangements were made by the group's artistic director Jasna Žitnik). Seven singers and beat-boxer love challenges and wit...    less

Sheet Music available by sending an email to contact@santiagoveros.site RITUAL DEL NUEVO DÍA (Ritual of the new day) SSAA + solo Commissioned by Lockport Township High School Bel Canto Chorale and its conductor Benjamin Saunders About the Work (app...  moreSheet Music available by sending an email to contact@santiagoveros.site RITUAL DEL NUEVO DÍA (Ritual of the new day) SSAA + solo Commissioned by Lockport Township High School Bel Canto Chorale and its conductor Benjamin Saunders About the Work (approx. duration 4 mins.) When Santiago and I began to discuss this commission, we kept returning to the subject of mental health and inclusion. In a discussion with students, one student voiced that they “feel excluded and not cared for,” and that their struggle with mental health “has made [them] feel alone and helpless.” Santiago begins the piece with an old, quasi-ritualistic melody that calls back to previous times and traditions. As the work continues, the melody unites together with the other voices to emulate inclusion and unity of voices. His text draws parallels to nature and how we are able to bloom through the darkness of adversity with the help of others. We hope this work aids in our conversations about the importance of discussing mental heal...    less