My Love - a hypnotic and strangely yearning canon for three equal voices, with an ostinato guitar motif, composed and performed by David W Solomons (aka dwsChorale). My love is far from here I sense in my dreams that she's dreaming of me far off in...  moreMy Love - a hypnotic and strangely yearning canon for three equal voices, with an ostinato guitar motif, composed and performed by David W Solomons (aka dwsChorale). My love is far from here I sense in my dreams that she's dreaming of me far off in that country dreaming that we shall once more sing our old song We'll sing in harmony longing for the day when harmony can soothe our sorrows and make us smile to think that harmony can soother our sorrows dreams far off.  

Cantores Celestes Women's Choir, directed by Kelly Galbraith and featuring Toronto's own Foggy Hogtown Boys. WIll the Circle Be Unbroken, arranged by J. David Moore is from the Cantores Celestes CD, Carry it On. Photos of Cantores Celestes by Luigi ...  moreCantores Celestes Women's Choir, directed by Kelly Galbraith and featuring Toronto's own Foggy Hogtown Boys. WIll the Circle Be Unbroken, arranged by J. David Moore is from the Cantores Celestes CD, Carry it On. Photos of Cantores Celestes by Luigi Nieto Giovannini Video Editing by JA Stewart www.cantorescelestes.com www.facebook.com/CantoresCelestes www.twitter.com/Cantores_Choir http://foggyhogtownboys.com  

The Choir of Somerville College, Oxford David Crown (conductor) Basilica di San Marco, Milan 27 June 2010 Website: http://www.somervillemusicsociety.com Facebook: http://www.facebook.com/somervillechoir Conductor's Website: http://www.david-crown.com

Rooftops - for two unaccompanied altos Words and music composed and performed by David W Solomons composed as I walked one day from Denning Point in the East End to sing at a service at St Michael's Cornhill around 1986 (the streets were actually empty...  moreRooftops - for two unaccompanied altos Words and music composed and performed by David W Solomons composed as I walked one day from Denning Point in the East End to sing at a service at St Michael's Cornhill around 1986 (the streets were actually empty on Sunday mornings in those days!)  

Delicate, hushed, and suspenseful, this perfectly captures the expansive and meditative feeling of Whitman’s poignant poetry. This is great for any sized choir, though the long lines, slow pace, and lush harmonies will lend itself particularly well to lar...  moreDelicate, hushed, and suspenseful, this perfectly captures the expansive and meditative feeling of Whitman’s poignant poetry. This is great for any sized choir, though the long lines, slow pace, and lush harmonies will lend itself particularly well to large ensembles. Four part mixed chorus Audio Credit: The First Recordings Project – J. David Moore, Conductor  

Inno per I'Anno Sancto della Misericordia (Hymn for the Holy Year of Mercy) “Misericordes sicut Pater,” is the official Latin theme of the Year of Mercy and translates to “Merciful Like the Father"; by the English Composer Paul Inwood and the text of ...  moreInno per I'Anno Sancto della Misericordia (Hymn for the Holy Year of Mercy) “Misericordes sicut Pater,” is the official Latin theme of the Year of Mercy and translates to “Merciful Like the Father"; by the English Composer Paul Inwood and the text of the hymn in Latin and Italian was written by Jesuit Father Eugenio Costa. . The title is drawn from John 6:36, Misericordes sicut Pater (English: Be Merciful, As Your Father Is). Inwood's composition was the winner in an international competition sponsored by the Pontifical Council for the Promotion of the New Evangelization. The hymn has now been released in Italian, French, and English, with a Latin antiphon and refrains. . This video recording by the Golden Voices Choir STACC FUTO was transposed on key G Major. This beautiful male choir arrangement captures in it's very essence the richess of God's divine mercy. That no matter how busy our modern lives are, God's hands are ever present to guide us. We are safe in the hollow of his hands. May God's mercy c...    less

Psalm 23 is dedicated to my aunt Patricia Shaw of Vancouver, as this is her favourite Psalm. Two points of note: First, the composition grew out of the feeling that all 4 voices should start on the same note, grow outwards and then come back to that...  morePsalm 23 is dedicated to my aunt Patricia Shaw of Vancouver, as this is her favourite Psalm. Two points of note: First, the composition grew out of the feeling that all 4 voices should start on the same note, grow outwards and then come back to that same note at the end. The rest just seemed to evolve on its own, seemingly guided by some external force. Second, unusually, I have asked choirs (where possible) to sing this without any breaks, via staggered breathing, as I wanted to highlight the deep conviction underlying the words of the Psalm, as one single thread of deep belief that moves from beginning to end. Sincere thanks to Matthew Curtis (choraltracks.com) for recording "Psalm 23." As always, comments are welcomed. Email me at rain@magma.ca, if you'd like more info. I would like to acknowledge the a cappella choir that I sing in, The Stairwell Carollers, and our director Pierre Massie, for their musical inspiration these past 26 years. I would also like to thank my friends in our "Ad ...    less

This is based on the anonymous English poem (with added 2nd verse by David Dunning) about a centipede who loses her concentration: Verse 1 A Centipede was happy quite Until a frog in fun said "Pray tell which leg comes after which?" (with a left r...  moreThis is based on the anonymous English poem (with added 2nd verse by David Dunning) about a centipede who loses her concentration: Verse 1 A Centipede was happy quite Until a frog in fun said "Pray tell which leg comes after which?" (with a left right right left right) This raised her mind to such a pitch she lay distracted in a ditch Considering how to run. Verse 2 She stopped and thought and, mystified, Soliloquized on this; Put right foot first and found it left Her left leg wrong right side This raised her mind to such a pitch she lay distracted in a ditch Considering how to run.  less

Coro Juvenil David Goldsmith Light Music Band Jeremías Martín, director Banda y arreglos José Híjar Polo, director Solistas: Marta Bello Jesús Mesa Natalia Rodríguez Concierto homenaje a los 60´ 3 de julio de 1998 Auditorio Teobaldo Power ...  moreCoro Juvenil David Goldsmith Light Music Band Jeremías Martín, director Banda y arreglos José Híjar Polo, director Solistas: Marta Bello Jesús Mesa Natalia Rodríguez Concierto homenaje a los 60´ 3 de julio de 1998 Auditorio Teobaldo Power La Orotava, Tenerife  

"Stella" is dedicated to my friend Kristina, who introduced me to this remarkable French poem by Victor Hugo written while in exile on the Isle of Jersey. It is a complex layered poem exploring a multitude of interactions with the morning star - in na...  more"Stella" is dedicated to my friend Kristina, who introduced me to this remarkable French poem by Victor Hugo written while in exile on the Isle of Jersey. It is a complex layered poem exploring a multitude of interactions with the morning star - in naturalistic, religious, spiritual and seemingly political terms. Sincere thanks to Matthew Curtis (choraltracks.com) for recording "Stella." To purchase the sheet music for this song, please contact: info@leadingnote.com. I would like to acknowledge the a cappella choir that I sing in, The Stairwell Carollers, and our director Pierre Massie, for their musical inspiration these past 26 years. I would also like to thank my friends in our "Ad hoc Chorale" for testing out this piece in one of our informal workshops and offering valuable comments. And with deepest appreciation to my brother Adam Rain and my friend Geneviève Lajoie for their invaluable support throughout my composing journey.  less