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blog:
Why Choirs shouldn’t sing pop songs
[this is a version of a post which first appeared on my blog From the Front of the Choir]
I used to lead a women’s singing group. We tried a Bob Marley song once. One of the singers used to say: “If it sounds like the Women’s In...
group:
the Gesualdo Six
the Gesualdo Six are a vocal sextet specialising in the performance of renaissance polyphony, directed by Owain Park. the ensemble is made up of undergraduates and graduates of Cambridge University, and currently the Choirs of King’s, St John’s and Trinit... morethe Gesualdo Six are a vocal sextet specialising in the performance of renaissance polyphony, directed by Owain Park. the ensemble is made up of undergraduates and graduates of Cambridge University, and currently the Choirs of King’s, St John’s and Trinity colleges are represented.
Recent concerts have included performances of Gesualdo’s Tenebrae Responsories for Maundy Thursday (Feria Quinta), Monteverdi madrigals and anthems by Byrd. the ensemble has also performed music by Ligeti, Rheinberger and arrangements by Philip Lawson. Future engagements include a lunchtime concert in the Cambridge St John’s Music Festival, as well as concerts at Jesus and Caius colleges. less
blog:
10 golden truths I have learnt from 25 years of choir leading
[the views expressed in this blog are from my personal experiences from 25 years of leading non-auditioned community Choirs in the UK, as well as adult singing workshops. My focus is on teaching by ear using a repertoire of songs from traditions across th...
blog:
How to put on a successful concert 2: songs and concert structure
[the views expressed in this blog are from my personal experiences from 25 years of leading non-auditioned community Choirs in the UK, as well as adult singing workshops. My focus is on teaching by ear using a repertoire of songs from traditions across th...
blog:
Why I record the songs at the end of every singing workshop I lead
[the views expressed in this blog are from my personal experiences from 25 years of leading non-auditioned community Choirs in the UK, as well as adult singing workshops. My focus is on teaching by ear using a repertoire of songs from traditions across th...
group:
Sonux Ensemble
About us/our coming CD:
Crossover projects are the hallmark of the Sonux Ensemble. Together with the jazz-saxophonist Stefan Kuchel and the Sirius Quartet, the young men's choir performs contemporary works. the Quartet members describe themselves as arti... moreAbout us/our coming CD:
Crossover projects are the hallmark of the Sonux Ensemble. Together with the jazz-saxophonist Stefan Kuchel and the Sirius Quartet, the young men's choir performs contemporary works. the Quartet members describe themselves as artists of improvisation who break out of the conventional vocabulary of sound for a string quartet. Most pieces on this CD were written especially for the Sonux Ensemble, and thus composed to the singers' strengths. "We have worked on these pieces together with the composers, and given them their first performances over the course of the last five years. This disc features only world premiere recordings and, literally, unheard of choral music, " the choir's director Hans-Joachim Lustig notes.
the works recorded on this CD focus on the topics of light and love. the eponymous poem by Charles Anthony Silvestri that lends its title to the disc frames and connects the two topics. Silvestri wrote the text in 2012, exclusively for this project. Hans-Joachim L... less
group:
Coro Cantabile
Coro infantil y juvenil de A Coruña, España. Nos apasiona la música coral del barroco y el renacimiento.
video:
NARVAL CANTA..."ARROZ CON LECHE" (Fuga de Carlos Guastavino)
El Grupo Narval (Madrid, España) interpreta durante su concierto de Junio de 2009 la fuga que el compositor argentino Carlos Guastavino compuso a partir de la melodía de una canción popular infantil. Polifonía de construcción clásica, armonías del siglo X... moreEl Grupo Narval (Madrid, España) interpreta durante su concierto de Junio de 2009 la fuga que el compositor argentino Carlos Guastavino compuso a partir de la melodía de una canción popular infantil. Polifonía de construcción clásica, armonías del siglo XX y una atmósfera sonora delicada y expresiva, en un marco especial: la iglesia más antigua que se conserva en Madrid (San Nicolás), junto a la Calle Mayor de la ciudad.