Orpheus / http://orpheus.com.ua/ Ljubomyr Končakivskyj – tenor Oleh Sadeckyj – tenor Petro Kukuruza – tenor Roman Fedoriv – tenor Petro Petryk – baryton Andrij Chavunka – baryton Semen Pihura – bas Vadym Suchyj – bas Andrij Hnatyšyn (1906–1995...  moreOrpheus / http://orpheus.com.ua/ Ljubomyr Končakivskyj – tenor Oleh Sadeckyj – tenor Petro Kukuruza – tenor Roman Fedoriv – tenor Petro Petryk – baryton Andrij Chavunka – baryton Semen Pihura – bas Vadym Suchyj – bas Andrij Hnatyšyn (1906–1995): Věřím (Credo) Maxim Sozontovyč Berezovskyj (1745–1777): Svatý Bože Dmitrij Stepanovyč Bortňanskyj (1751–1825): Hospodine, silou Tvou Petar Dinev (1889–1980): Požehnej, má duše, Pánu Dmitrij Vasiljevič Kotko (1892–1982): Starodávný kant Mychajlo Verbyckyj (1815–1870): Aleluja Mykola Dmytrovyč Leontovyč (1877–1921): Ach, vyšla hvězda Верховино, світку ти наш Світи, місяченьку Як ішов я з Дебречина Де синії гори Ой ти, дівчино Гандзя / Hanka О, соловію / Ó, slavíku Порізала пальчик / Pořezala prstík Гей, браття опришки / Hej, bratři Коло млина / Kolem mlýna Многая літа / Mnoho štěstí, zdraví Svatováclavský hudební festival: https://www.shf.cz/ https://www.instagram.com/shf_ostrava... https://www.facebook.com/shf.cz/ Recorded by TV NOE 2...    less

An auditioned contemporary a cappella ensemble of Charlotte Academy of Music for students in grades 8-12.

Performance of the Nizhny Novgorod State University Choir at the International Festival of University and Academic Choirs "VESNUSHKA". Yaroslavl, Russian Federation, 2013.

Party in the U.S.A Arr. Deke Sharon Spring Concert 2018 Johansen High School This performance was inspired by our choir tour 2018 to Newport Beach where we had a fabulous workshop with Deke Sharon at the Choirs of America Festival.

VocalPoint is an intense choral experience that challenges people through music to build a better world. We donate 100% of performance-driven donations to a worthy cause that will make a dramatic impact in everyday lives. VocalPoint's artistic directo...  moreVocalPoint is an intense choral experience that challenges people through music to build a better world. We donate 100% of performance-driven donations to a worthy cause that will make a dramatic impact in everyday lives. VocalPoint's artistic director and conductor is Jennifer M. Anderson.  

[A version of this article first appeared as a post on my blog From the Front of the Choir] When I started my most recent Community choir The OK Chorale back in 2011 I decided it wasn’t going to be a performing choir.     Brig...

Last June, at the Final School Year Concert of our Voces Blancas del Nalón Schools Choirs, we rehearsed and sang our interpretation of The New One Day One Choir Song. We did it so, that the 21st of September, we could join our voices to all those thousand...  moreLast June, at the Final School Year Concert of our Voces Blancas del Nalón Schools Choirs, we rehearsed and sang our interpretation of The New One Day One Choir Song. We did it so, that the 21st of September, we could join our voices to all those thousand of Choirs and choral singers that are singing for the peace within the OneDayOneChoir initiative. El pasado junio, en el Festival de fin de curso de los Coros Escolares de Voces Blancas del Nalón, preparamos y cantamos nuestra interpretación de la pieza The New One Day One Choir Song. De esta manera, sumamos nuestras voces a las de miles de coros y coralistas del mundo que cantan el día 21 de septiembre por la paz mundial. Festival de Fin de Curso Coros Escolares de Voces Blancas del Nalón, junio 2018  less

A setting of text adapted from prose by American naturalist John Muir (1838-1914). Commissioned for the Combined Choirs of St. Joseph's School, Seattle, directed by Rick Boyle, who premiered the piece at Benaroya Hall's Nordstrom Recital Hall on May 6, 20...  moreA setting of text adapted from prose by American naturalist John Muir (1838-1914). Commissioned for the Combined Choirs of St. Joseph's School, Seattle, directed by Rick Boyle, who premiered the piece at Benaroya Hall's Nordstrom Recital Hall on May 6, 2004, in the second annual "New Works New Hope" concert for the benefit of Gilda's Club Seattle. The piece was revised in 2007 and the premiere of the revised score was given on November 16, 2007, by the Queens College Chorus, Cindy Bell conducting, at the Aaron Copland School of Music in New York. “Driven by a refreshing text of American naturalist John Muir, Bartholomew has created an accessible work that flows easily through both key and meter changes, and features expressive, lyric melodies contrasted by exciting rhythmic drive.“ - Cindy Bell  less

We have recently relaunched under our new name and recruited new members to triple the size of the choir. We believe that anyone can sing and are an open-access choir - no auditions, all needs catered for. We have just done two small performances after on...  moreWe have recently relaunched under our new name and recruited new members to triple the size of the choir. We believe that anyone can sing and are an open-access choir - no auditions, all needs catered for. We have just done two small performances after only rehearsing for 6 weeks!