Scritto e dedicato al Complesso Vocale di Nuoro e al suo direttore, Franca Floris, da Don Antonio Sanna. Elaborazione del tradizionale Rosario cantato ad Orgosolo Musica: Antonio Sanna (1932 - 2016) Esecuzione: Complesso Vocale di Nuoro Registrazi... display='';$(this).getParent().style.display='none';">moredisplay:none;">Scritto e dedicato al Complesso Vocale di Nuoro e al suo direttore, Franca Floris, da Don Antonio Sanna. Elaborazione del tradizionale Rosario cantato ad Orgosolo Musica: Antonio Sanna (1932 - 2016) Esecuzione: Complesso Vocale di Nuoro Registrazione effettuata durante concerto in occasione della VI edizione di "Musica, Maestro!" - Porto Torres 27/05/2017 www.complessovocalenuoro.it
The Ainur Chamber Choir was originally founded in 1991, at a time when a main choral movement was taking place in the Canary Islands. The choir’s work was interrupted for several years during its members’ academic education, as well as during their partic... display='';$(this).getParent().style.display='none';">moredisplay:none;">The Ainur Chamber Choir was originally founded in 1991, at a time when a main choral movement was taking place in the Canary Islands. The choir’s work was interrupted for several years during its members’ academic education, as well as during their participation in different musical projects. The present line-up has been steady since 2006. Their repertoire offers a variety of styles of great difficulty and chromatic richness, and tries to take advantage of the cultural and geographic circumstances which make of the Canary Islands a multicultural place. A remarkable feature of the group is their willingness to innovate within the choral music. Their versatility and the variety of repertoire they face can be seen in the different projects they have taken part in: short operas, official or private events, festivals, and monographic concerts on different subjects. A few instances of the choir’s late activity are the following: - Several concerts in Moscow in December 2006, as guests of the Spanish Embassy. - P... display='';$(this).getParent().style.display='none';">less
Grabación para el programa Agur 2017 de la cadena de TV Festaro. Interpretamos Boga boga de Gudiri y Herribera de Lorenzo Ondarra
Coral Reyes Bartlet Capilla Cayrasco José Híjar Polo, Maestro de Coro Eligio Luis Quinteiro, director Fernando Paz, flauta de pico Sara Moffatt, violín renacentista Emilia Benjamin, violeta Bárbara Sela, bajón Ismael Perera, órgano Luis Acuña... display='';$(this).getParent().style.display='none';">moredisplay:none;">Coral Reyes Bartlet Capilla Cayrasco José Híjar Polo, Maestro de Coro Eligio Luis Quinteiro, director Fernando Paz, flauta de pico Sara Moffatt, violín renacentista Emilia Benjamin, violeta Bárbara Sela, bajón Ismael Perera, órgano Luis Acuña, sonido Tinglado Films, imagen X Festivall de Música Antigua y Barroca de Puerto de la Cruz Iglesia de la Peña de Francia, 31 de marzo de 2012 www.reyesbartlet.com
Coro Et Al Festival 2017 @ Cine Adarna UP diman Q.C. Philippines
The Rías Baixas Choir was presented in Vigo in January 2014 with the purpose of replacing the lack of choral formations that could collaborate with orchestras and chamber groups in Galicia (NW Spain). His initial claim was also to promote new soloists a... display='';$(this).getParent().style.display='none';">moredisplay:none;"> The Rías Baixas Choir was presented in Vigo in January 2014 with the purpose of replacing the lack of choral formations that could collaborate with orchestras and chamber groups in Galicia (NW Spain). His initial claim was also to promote new soloists and serve as a tool for new and established composers specially from the Rias Baixas area. The choir already has more than sixty performances, both self-managed and scheduled in various cycles or festivals such as Outono Lírico, Vigo Sinfónico, Barcia de Mera Religious Music Series, Nas Ondas, Portico Sonoro, Explurart, Cooltural Cambados and II Festival Groba. In these performances they have interpreted several fundamental works of the choral repertoire in all kind of stages of the four Galician provinces, both a capella and with instrumental accompaniment. Samples of these are Petite Messe Solennelle by G. Rossini (version for two pianos), the Requiem in C minor by L. Cherubini, Music for the funeral of Queen Mary by H. Purcell, Mass in D major by A. Dv... display='';$(this).getParent().style.display='none';">less
Participación en el "I Ciclo de Música de Cuaresma en San Pablo", organizado por la Iglesia de San Pablo, en Zaragoza, el 14 de Marzo de 2018. directora: Marta Pilar Hernando
Participación en el "I Ciclo de Música de Cuaresma en San Pablo", organizado por la Iglesia de San Pablo, en Zaragoza, el 14 de Marzo de 2018. directora: Marta Pilar Hernando
Composta per Coro Misto da Marcos Vinicius, questa versione per Tromba in Do (audio in MIdi FILE) è dedicata a Gian Marco Silvestri, che ne eseguirà prossimamente la Prima Assoluta. Testi e scelta foto di Anita Madaluni. "Pie Jesu" is written by Marcos V... display='';$(this).getParent().style.display='none';">moredisplay:none;">Composta per Coro Misto da Marcos Vinicius, questa versione per Tromba in Do (audio in MIdi FILE) è dedicata a Gian Marco Silvestri, che ne eseguirà prossimamente la Prima Assoluta. Testi e scelta foto di Anita Madaluni. "Pie Jesu" is written by Marcos Vinicius for Mixed Choir. This version (here hin MIdi FILE) for trumpet in C , is dedicated to Gian Marco Silvestri, who soon will performe it in the World Premiere. Texts and photos sequence by Anita Madaluni.
De Profundis-Magnificat by Eduardo Andres Malachevsky Performed by the Philippine Madrigal Singers Mark Anthony Carpio, choirmaster Iglesia Nuestra Señora del Carmelo, Buenos Aires, Argentina; September 2011
