Cappella Victoria Jakarta is a church choir based in St. Therese of Lisieux Parish, Menteng, Jakarta. The choir was founded in 2005 by several of St. Therese’s young parishioners, and currently has 53 singers from 27 different parishes in Archdiocese of J...  moreCappella Victoria Jakarta is a church choir based in St. Therese of Lisieux Parish, Menteng, Jakarta. The choir was founded in 2005 by several of St. Therese’s young parishioners, and currently has 53 singers from 27 different parishes in Archdiocese of Jakarta and 3 parishes in Archdiocese of Bogor. As the number of singers grows, Cappella Victoria Jakarta evolves to focus on singing Sacred Polyphony music from the end of the 16th century, especially Roman Polyphony music and its various modern interpretations. Since 2006, Cappella Victoria Jakarta routinely sings Sacred Polyphony music in Eucharistic Mass in St. Therese of Lisieux Parish. The choir has also sung Sacred Polyphony music in several other Catholic churches in Jakarta, Tangerang, Bandung and Semarang. Through Sacred Polyphony music, Cappella Victoria Jakarta aspires to contribute in the creation of a sacred and solemn ambience in Eucharistic Mass, in the hope that this ambience will facilitate the faithful to feel closer to the presence of the L...    less

Fly Me to the Moon Arranged by Gwyn Arch Accompanist: Matt Finch A Midsummer Evening with Noctis June 21st 2014 Roper Theatre, West Wing, Bath, UK www.noctischoir.com

Sydney Vocal Project is a contemporary Chamber choir from Sydney Australia. This video is their latest demo featuring some of their favourite song snippits. We currently have two cyberspace (s?) Our new one is www.sydneyvocalproject.wordpress.com and our ...  moreSydney Vocal Project is a contemporary Chamber choir from Sydney Australia. This video is their latest demo featuring some of their favourite song snippits. We currently have two cyberspace (s?) Our new one is www.sydneyvocalproject.wordpress.com and our soon to be phased out cyber home is www.tsvp.org  

The Learners Chorus was founded in 1979 by former members of the Hong Kong University Students’ Union Choir. Our repertoire includes a wide spectrum of choral works, and commissioned works by distinguished Hong Kong composers, including Dr. Chan Hing Yan...  moreThe Learners Chorus was founded in 1979 by former members of the Hong Kong University Students’ Union Choir. Our repertoire includes a wide spectrum of choral works, and commissioned works by distinguished Hong Kong composers, including Dr. Chan Hing Yan, Dr. Victor Chan, Dr. Daniel Law, Mr. Law Wing Fai, Dr. Phoebus Lee, Mr. Michael Mak and Dr. Richard Tsang. The Chorus regularly holds annual large-scale concerts with its official orchestral partner, The Learners Orchestra, in addition to its other yearly choral concerts of a smaller scale. Major choral works presented and performed in recent years include Bach’s Magnificat, Bernstein’s Chichester Psalms, Brahms’ Ein Deutsches Requiem, Lully’s Te Deum, Mahler’s Symphony No. 2 “Resurrection” and Symphony No. 8 “Symphony of a Thousand”, Mendelssohn’s Lobgesang, Mozart’s Great Mass in C Minor and Requiem, Pärt’s Credo, Prauliņš’ Missa Rigensis, Poulenc’s Gloria, Rachmaninoff’s The Bells, Rossini’s Messa di Gloria and Stabat Mater, Rutter’s Mass of the Childre...    less

"Baby, It's Cold Outside" by Frank Loesser, arr. Ryan O'Connell. Recorded live on December 14, 2014, at the Broward Center for the Performing Arts in Fort Lauderdale, Florida. Performed by the Chamber Singers and Men's Auxiliary ensembles of the Girl C...  more"Baby, It's Cold Outside" by Frank Loesser, arr. Ryan O'Connell. Recorded live on December 14, 2014, at the Broward Center for the Performing Arts in Fort Lauderdale, Florida. Performed by the Chamber Singers and Men's Auxiliary ensembles of the Girl Choir of South Florida. Artistic Director: Wallis Peterson, Accompanist: Gayle Giese.  

"Orinoco Flow" by Enya, text by Roma Ryan, arr. Kirby Shaw. Recorded live on Friday, May 16, 2014, at the Broward Center for the Performing Arts in Fort Lauderdale, Florida. Performed by the Chamber Singers and Men's Auxiliary ensembles of the Girl Cho...  more"Orinoco Flow" by Enya, text by Roma Ryan, arr. Kirby Shaw. Recorded live on Friday, May 16, 2014, at the Broward Center for the Performing Arts in Fort Lauderdale, Florida. Performed by the Chamber Singers and Men's Auxiliary ensembles of the Girl Choir of South Florida. Artistic Director: Wallis Peterson, Synthesizer: Gayle Giese, Bass: Dartanyan Melendez, Percussion: Brad Peterson. Let me sail, let me sail, let the orinoco flow, Let me reach, let me beach On the shores of Tripoli. Let me sail, let me sail, Let me crash upon your shore, Let me reach, let me beach Far beyond the Yellow Sea. From Bissau to Palau - in the shade of Avalon, From Fiji to Tiree and the Isles of Ebony, From Peru to Cebu hear the power of Babylon, From Bali to Cali - far beneath the Coral Sea. From the North to the South, Ebudc into Khartoum, From the deep sea of Clouds To the island of the moon, Carry me on the waves To the lands I've never been, Carry me on the waves To the lands I've never seen.  less

Chamber Choir Vox Humana performs Matthew Harris' "And will a not come again" as part of the concert "Such stuff as dreams are made on" in Nationaltheatret, Oslo, Norway. Live performance 23 nov 2013. Conductor Dag Jansson. The lyrics is by William Shakes...  moreChamber Choir Vox Humana performs Matthew Harris' "And will a not come again" as part of the concert "Such stuff as dreams are made on" in Nationaltheatret, Oslo, Norway. Live performance 23 nov 2013. Conductor Dag Jansson. The lyrics is by William Shakespeare, from Hamlet, where Ophelia is grieving after her father Pollonius' death. Website: www.voxhumana.no  

Recorded on 5/3/2024 at Our Beautiful Savior's Lutheran Church in Tucson, AZ as part of our "Modern Madrigals" concert. ​Text: "The silver swan, who living had no note, When death approached, unlocked her silent throat; Leaning her breast against ...  moreRecorded on 5/3/2024 at Our Beautiful Savior's Lutheran Church in Tucson, AZ as part of our "Modern Madrigals" concert. ​Text: "The silver swan, who living had no note, When death approached, unlocked her silent throat; Leaning her breast against the reedy shore, Thus sang her last, and sang no more: 'Farewell, all joys; Oh death, come close mine eyes; More geese than swans now live, more fools than wise.' " - Orlando Gibbons (1583 - 1625) Program notes: A famous text also famously used by Gibbons himself for his own Madrigal, Hailstork here pays homage to the work's 16th-century roots. An early composition (written while in college) from the proflic composer, Hailstork combined his own language with his love for choral literature to create a piece reminiscent of the Renaissance with a modern flair. The harmonic language harkens back to a hexachordal modality of the 16th century, uses an unaccompanied SATB choir, and employs varied moments of imitative polyphony and homophony. This short wor...    less

Voices of Concinnity vocal Chamber ensemble, based in Connecticut. Book us today.

he world premiere of "Forgiveness by Dane A Carten with text by Emanual Wolff. Recorded at the First United Methodist Church in Tucson, AZ on May 6th, 2023. Full text: "Show me eyes like scars to soothe and seethe the thoughts thrice far an...  morehe world premiere of "Forgiveness by Dane A Carten with text by Emanual Wolff. Recorded at the First United Methodist Church in Tucson, AZ on May 6th, 2023. Full text: "Show me eyes like scars to soothe and seethe the thoughts thrice far and smoothly breathe calm vision light - ajar and free, this vision gift that's deep as dust, and hard as feather leaves; sweet nectar light of lust and color brilliance; this stroke of sight's delivery."​​ ​ Program notes: As I was searching for text for a new composition in 2019, I stumbled upon a long-time friend’s poetry book and devoured it. Emanual Wolff’s MooNlight HoWling spoke to me in its dark corners, surrealist takes on reality and visceral accounts of battles with mental illness and the struggle of existence therein. Forgiveness especially so; the first stanza of which painted an image of loss, of regret, and of reconciliation. My composition then took on a programmatic aspect – coming ...    less